Virtual Amp Simulators/Software are great, especially if you live in an apartment, have neighbors who complain a lot, or if you are a night person and like to record/play late at night. Guitar Rig, Amplitube, Eleven by Digidesign, Waves GTR, Overloud TH2, the list goes on and on. They don’t truly capture what it’s like to have a real amp, but they are still a valuable tool to have in the right situations. I personally use Guitar Rig for when I record demos, or when I want to jam to a song or a backing track. I know some of these have demo versions, so I highly recommend checking them out!
Boston Guitar Lessons – Blog
I’m guilty of it myself, when I was younger all I wanted to do was blaze scales up and down the neck. It looks and sounds cool at first, it even has its uses…but then you hear the “same” solos from Yngwie Malmsteen that he played 10-20 years ago on his most recent releases or you see this:
At some point, it just isn’t music anymore. Can you even tell that it’s ‘Flight of the Bumblebee’ anymore, at the later tempos?? It becomes noise/noisy.
Used correctly, speed can be tasteful. Toss in some bends, vibrato, slides, etc., but please, PLEASE, don’t dedicate all of your team to trying to play quickly. Dedicate SOME time to it, an hour a day where you alternate pick scales to a metronome, but then go and play some blues, or something similar.
Filthy lies I say.
Hey guys, George Woods here on behalf of the greatest Guitar School in Boston (obviously…) sending a message to all the folksy songwriters of the world. If you are a songwriter I highly encourage you to branch out from the open chord/bar chord go to’s and experiment with the instrument.
While, yes, guitar may well be one of the most illogically laid out instruments on the face of the planet that shouldn’t stop you from learning the matrix and delivering a Keanue Reeves style “I know Kung Foo” kick to your audiences with great accompaniment. Guitar is essentially a harp with frets stretched across a drum. That’s 3 instruments right there. Here are some textural options to consider.
1.) Straight up classic strumming. Down up Down up Down up up | Down up … You remember this part I assume.
2.) CONTRASTING sections of your song with more or less active strumming patterns. Maybe your verse sounds like your driving a semi into a brick wall. Try making your chorus completely stagnant and placid letting your vocal carry the rush across the front lines.
3.) Independent bass motion. Finger style or picked. Adding a bass line against stagnant chords not only puts you in the running with Mumford and Sons it makes Granny rock the Charleston and adds depth to your part without becoming distractingly complex.
4.) Harmonizing the sung melody with an independent bass line or a plucked melody line. (granted this generally requires learning different inversions of the chords… DO IT!!!)
5.) For more advanced players. Use the guitars percussion. Strum dead strings and hit the body for the “break it down” sections. Experiment with using nothing but rhythm to sing a verse or bridge. Think “Aint No Sunshine” – Bill Withers.
6.) If You are a soloistic performer learn to become comfortable with a BARE accompaniment. Try just using a simple riff. Or try sections that have no under pinning whatsoever. Sound is nothing without silence a whisper is nothing without a scream.
Of course there is a never ending list of guitaristic possibilities and combinations, but please, above all, remember this. The art of good composition is nothing more than the strategic confirmation or denial of expectation in order to deliver a subject matter fully and accurately.
AKA don’t strum everything all the time, because “it’s what guitars do”. Explore your instrument. Increase your pallet of techniques so that your raw emotional lyrics have room with that raw emotional guitar part. Don’t hide your art, don’t hide behind your guitar playing let each enhance and influence the other. That way you can really say what you need to say, and others can really listen.
If you’re just starting guitar lessons, you’re probably wondering what to do about getting a guitar.
A decent beginner guitar can easily cost $300-$500. And it isn’t until you get into the range of about $1,000 that you start seeing more and more professional-level instruments. You kind of want to know when you’re learning that you’re the cause of problems and not a faulty instrument.
Until you’re ready to commit to a larger guitar purchase, why not consider renting a guitar? We offer rentals starting at about $49 per month. That way you’ll have something decent to work with until you’re ready to buy.
I highly recommend that you try to add music to your repetorie where the guitar isn’t the main focal point, or maybe isn’t even included at all. It helps to broaden your ear to listen to other instruments and you’ll eventually come up with some interesting ideas/licks of your own.
Masato Honda w/ Voices of the Elements:
T-Square (breaking my own rule a bit )
2:27 to 2:33 is one of my favorite licks of all-time. It still gives me chills.
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I find that listening to foreign music (or if you speak a second, third, fourth, fifth, etc. language, then from somewhere you don’t understand the language) is a good way to appreciate music from a different side. You don’t get lyrics you can sing along with, you get the melody instead which you can hum. A pet peeve of mine is whenever I hear someone say “Oh, this song is great, the lyrics are so good.”, and don’t get me wrong, I understand the importance of lyricism in today’s music (I “sing” along too!), but once you strip away the music, you’re left with words. Melody is what makes the world go ’round!
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